detail of Edvard Munch's painting "The Scream" With rough, impressionistic brush strokes, a figure stands on a bridge, hands on his face, screaming. The sunset behind the figure is livid red and orange.

In which Two Nerds discuss the fourth of the Scream franchise, which was made a decade after the original trilogy, and evinces a slightly different sensibility than the rollicking meta-irony of the first three.

Author: Ceridwen

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